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Another odd one
Gibson L-4 "Flat Back"
© Frank Ford, 2002; Photos by FF
With its "skunk stripe" shaded sides, this is the strangest variant
of the famous L-4 jazz guitar. After being supplanted by the superior and famous
L-5 f-hole jazz guitar, the L-4 went through a series of evolutionary stages,
until finally becoming an upgrade version of the ES-175 rather than a small
step down from the L-5. Here, in the mid 1930s, the L-4 was made with a flat
mahogany back rather than the usual carved maple back. As if to match the new
"Jumbo" model, it received that peculiar shading job on the sides.
When this guitar was made, Martin had been making oval hole archtop guitars
with flat backs. Did Gibson want to test the waters to see what that pond was
like? No real need, they already had a lock on the jazz guitar market. Not long
after this instrument was made, the L-4 grew f-holes and reentered the mainstream.