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Son of a beech?
1905 Gibson A-3
© Frank Ford, 2002; Photos by FF
Here's a great example of Gibson's early mandolin production. In the first couple
of years the instruments were a bit primitive, and they evolved quickly. By
1905, things were pretty well set. This one is typical, with its "reverse"
neck angle, and high, flat arched top. It's all original, except the label,
suggesting that it took a trip back to Gibson for some repair after about 1910.
No, that's not real tortoise shell in that pickguard. Gibson used only celluloid
right from the beginning in 1902. Take a close look at the back, where you can
see the numerous short distinct medullary rays that are typical of beech. Most
of the really early Gibson mandolins had walnut back and sides. Later, birch
became the standard material for the "A" series.
Typical of the period, this one has a dyed maple fingerboard, a very narrow
neck, and very light, thin top and back plates. Unlike later instruments, the
top is fully carved hollow under the fingerboard area. Notice also, the early
tailpiece, with its original cover (the hole is original too, although I haven't
a clue why they put it there). You can see the brass showing through under the
nickel plating. Later tailpieces (through the 1920s at least) don't wear this
way because they were made of solid nickel sheet.