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A D.Y.I. guide
Lowering Action at the Saddle
© Frank Ford, 6/21/00; Photos by FF, 4/20/00
As low as possible without buzzing.
That's the general request by most of us musicians, who really don't want to be working
harder than necessary to mash the strings down to the frets. After all, we're repeating
those left hand maneuvers over and over, sometimes hours at a time. A few thousandths
of an inch can spell the difference between success and tendonitis.
One of the biggest problems in setting up your guitar is that there are no really
concrete measurements. Sure, there are factory standards, but those can't take into
account that we all differ in our needs. The way you hold a pick, the volume at which
you play, the scale length, the gauge of strings, and many other factors influence
the performance of your guitar. So, at least to some extent, it would be advantageous
if you could make adjustments in action yourself, so you wouldn't have to take your
guitar to the shop for small incremental changes.
In years past, there have been attempts to produce an adjustable bridge, but these
efforts have always resulted in a less than satisfactory sound. The most memorable
of these were made by Gibson:
While most of the adjustable bridges weren't as clunky as this Dove's Tune-A-Matic
bridge, they all impaired tone more than we were willing to tolerate. So much for
user-friendly action adjustments.
But, if you are stout of heart and at all mechanically inclined, you can make some
of your own action adjustments without getting into too much trouble. If your guitar
has a pickup with an element under the saddle, you might want to reconsider making
your own adjustments. It is relatively easy to mess up the saddle-to-pickup contact
and/or damage the element itself.
As I write this article, I'm assuming you have read over some of my earlier pieces
on truss
rod adjustment, bridge and saddle configuration, and neck angle diagnosis. If it seems as though I've assumed too much, don't forget to gaze through
some of the articles you'll find on the big Index Page.
Presuming the truss rod is set correctly, and that the action at the nut is acceptable,
virtually all action adjustments are made at the saddle. (The truss rod does affect
playing action, but it is not there for adjusting action. Once set correctly, it
is unlikely to need changing.)
As guitars age, the action generally rises. The top bows upward, the upper "shoulders"
rotate forward a tiny bit, allowing the neck to pull up a bit. That's why most of
the time, adjusting action means lowering action.
If your bridge is healthy like this one, and has a reasonably tall saddle, you can
lower the action safely without incident:
If there's very little saddle sticking up above the surface of the bridge, you may
need to consider whether it's time to reset the neck or whether it makes sense to
cut the wooden part of the bridge lower in addition to lowering the saddle.
I hope I've gotten all the "caveats" out of the way by now. Here's a general
procedure for lowering the action on an otherwise healthy guitar. This instrument,
by the way, is a Santa Cruz model H.
As you can see, the action measures a stout 8/64" at the twelfth fret, measuring
the space between the bottom of the string and the top of the fret:
As a rule, I try to work with 1/64" increments when adjusting the action. In
this case, I'd like to lower the action to 7/64."
If the action is to go down 1/64" at the twelfth fret, then I must lower the
saddle by 1/32." A simple piece of trigonometry leftover from high school!
I'll take the strings off, and grip the saddle with a pair of pliers, and remove
it. Then, going over to my flat surface (here, a piece of marble tile, at home, a
countertop) I'll hold a sharp pencil right up to my rule at the 1/32" mark:
Keeping the pencil steady, I'll simply rub the saddle against the point, giving me
a perfect line at exactly the height I want:
Nice little line, neat as you please:
Then I'll sand the saddle from the bottom by rubbing it on a piece of 150 grit sandpaper
held down to the flat surface:
That's it. As soon as my line is sanded away, I can replace the saddle.
And, my action will be right at 7/64."
Now, the action under the first string happened to need to be lowered by just the
same amount, so my measurement was easy. If I wanted to lower the action more under
the bass than the treble, I'd have drawn my line at the appropriate angle.
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